Not only is charcoal harder to control than pencil, you have to make the lines match perfectly to the cast and you also need to match the values - the lights, the middletones and the darks. I spend about two and a half months on this one and learned a great deal.
“There are moments in our lives, there are moments in a day, when we seem to see beyond the usual- become clairvoyant. We reach then into reality. Such are the moments of our greatest happiness. Such are the moments of our greatest wisdom. It is in the nature of all people to have these experiences; but in our time and under the conditions of our lives, it is only a rare few who are able to continue in the experience and find expression for it.” ― Robert Henri, The Art Spirit
Friday, November 1, 2013
Cast Study in Charcoal
Studying cast drawing with Angela Cunningham helped me tremendously when I was ready to approach a cast study in vine charcoal with Jonathan. This study was the very first one I have done concentrating on value relationships, shadow shapes, and edges. This exercise teaches you to see the different types of shadow and also their shape and edges. Some shadows have soft edges, some have hard edges and some are in between. (To see a detailed description of values and how light shapes form check out this website: huevaluechroma.com)
Not only is charcoal harder to control than pencil, you have to make the lines match perfectly to the cast and you also need to match the values - the lights, the middletones and the darks. I spend about two and a half months on this one and learned a great deal.
Not only is charcoal harder to control than pencil, you have to make the lines match perfectly to the cast and you also need to match the values - the lights, the middletones and the darks. I spend about two and a half months on this one and learned a great deal.
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